http://www.wikillerato.org/index.php?title=Cantigas_de_amor&feed=atom&action=historyCantigas de amor - Historial de revisiones2024-03-28T18:31:54ZHistorial de revisiones para esta página en el wikiMediaWiki 1.12.0http://www.wikillerato.org/index.php?title=Cantigas_de_amor&diff=12893&oldid=prevLaura.2mdc: Revertidas las ediciones realizadas por 213.98.45.160 (Talk); a la última edición de Laura.2mdc2009-03-11T08:07:45Z<p>Revertidas las ediciones realizadas por <a href="/Especial:Contributions/213.98.45.160.html" title="Especial:Contributions/213.98.45.160">213.98.45.160</a> (<a href="/Usuario_Discusi%C3%B3n:213.98.45.160.html" title="Usuario Discusión:213.98.45.160">Talk</a>); a la última edición de <a href="/Usuario:Laura.2mdc.html" title="Usuario:Laura.2mdc">Laura.2mdc</a></p>
<a href="http://www.wikillerato.org/index.php?title=Cantigas_de_amor&diff=12893&oldid=12884">(Diferencias entre revisiones)</a>Laura.2mdchttp://www.wikillerato.org/index.php?title=Cantigas_de_amor&diff=12884&oldid=prev213.98.45.160: /* Véase también */2009-03-10T15:31:19Z<p><span class="autocomment">Véase también</span></p>
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<td colspan='2' style="background-color: white; color:black;">← Revisión anterior</td>
<td colspan='2' style="background-color: white; color:black;">Revisión de 15:31 10 mar 2009</td>
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<tr><td colspan="2" class="diff-lineno">Línea 9:</td>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>== Véase también ==</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>== Véase también ==</div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"># [[La poesía de Cancionero]]</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: 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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>==Enlaces externos==</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>==Enlaces externos==</div></td></tr>
</table>213.98.45.160http://www.wikillerato.org/index.php?title=Cantigas_de_amor&diff=12883&oldid=prev213.98.45.160: /* Referencias */2009-03-10T15:25:31Z<p><span class="autocomment">Referencias</span></p>
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<td colspan='2' style="background-color: white; color:black;">← Revisión anterior</td>
<td colspan='2' style="background-color: white; color:black;">Revisión de 15:22 10 mar 2009</td>
</tr>
<tr><td colspan="2" class="diff-lineno">Línea 2:</td>
<td colspan="2" class="diff-lineno">Línea 2:</td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>== Temática ==</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>== Temática ==</div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Casi todas las composiciones tratan el tema de la ''coita'' (tristeza) del poeta, causado por el desdén o el rechazo (''sanha'') de su dama, a la que se denomina en masculino (''senhor''), siguiendo usos propios de la literatura provenzal. No en vano, ambas poéticas recurren a lo que se ha definido como amor cortés y que Deyermond {{ref|1}} <del style="color: red; font-weight: bold; text-decoration: none;">caracteriza con los siguientes rasgos:</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Casi todas las composiciones tratan el tema de la ''coita'' (tristeza) del poeta, causado por el desdén o el rechazo (''sanha'') de su dama, a la que se denomina en masculino (''senhor''), siguiendo usos propios de la literatura provenzal. No en vano, ambas poéticas recurren a lo que se ha definido como amor cortés y que Deyermond {{ref|1}}</div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div> </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"># Se exige un cierto grado de nobleza, en el hombre y la mujer, en linaje y en conducta. </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"># El amante posee un complejo de cualidades admirables, o, al menos, piensa que tiene que poseerlas. </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"># La fuerza del amor no sólo presenta a la amada como admirable sino que engendra a su vez virtud en el amante. </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"># Aun cuando no se excluya el matrimonio, no se alude frecuentemente a él, sin que esto quiera significar que el amor es siempre adúltero. </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"># El objetivo del amante va encaminado, con frecuencia, a lograr el trato sexual dentro o fuera del matrimonio. </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"># Es un amor frustrado, sea por la imposibilidad de la consumación (lo que ocurre, con llamativa frecuencia), sea porque el desastre sigue inmediatamente a la consumación. </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"># Se da con frecuencia una transposición al amor sexual de las emociones y de la imaginería religiosa. </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"># El amante reconoce su inferioridad con respecto a su dama, al margen de que lo sea objetivamente. </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"># La pasión del amante puede ser plenamente correspondida por su dama. </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"># Los amantes intentan, por lo general, de encubrir el secreto de su amor. </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div> </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">Sin embargo, no estamos tampoco frente a meras réplicas de canciones de amor provenzales. Los poetas galaicos, por ejemplo, dan menos importancia al virtuosismo técnico y a la complejidad formal y su contenido es mucho más abstracto que el de sus modelos, lo que conlleva descripciones más exiguas de la dama y una menor sensualidad.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div> </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">Desde el punto de vista métrico, suele tener la estructura propia de la llamada cantiga de maestría: cuatro estrofas de siete versos octosílabos o decasílabos, sin estribillo y con rima abbaccb, abbacca, ababcca, ababccb. Como también ocurre en las [[Cantigas de amigo]], tiene una gran importancia en ellas el paralelismo.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>== Referencias ==</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>== Referencias ==</div></td></tr>
</table>213.98.45.160http://www.wikillerato.org/index.php?title=Cantigas_de_amor&diff=12880&oldid=prev213.98.45.160: /* Tem2009-03-10T15:21:58Z<p>/* Tem</p>
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<td colspan='2' style="background-color: white; color:black;">Revisión de 15:21 10 mar 2009</td>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Desde el punto de vista métrico, suele tener la estructura propia de la llamada cantiga de maestría: cuatro estrofas de siete versos octosílabos o decasílabos, sin estribillo y con rima abbaccb, abbacca, ababcca, ababccb. Como también ocurre en las [[Cantigas de amigo]], tiene una gran importancia en ellas el paralelismo.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Desde el punto de vista métrico, suele tener la estructura propia de la llamada cantiga de maestría: cuatro estrofas de siete versos octosílabos o decasílabos, sin estribillo y con rima abbaccb, abbacca, ababcca, ababccb. Como también ocurre en las [[Cantigas de amigo]], tiene una gran importancia en ellas el paralelismo.</div></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>== Referencias ==</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>== Referencias ==</div></td></tr>
</table>213.98.45.160http://www.wikillerato.org/index.php?title=Cantigas_de_amor&diff=10776&oldid=prevLaura.2mdc en 08:36 31 oct 20082008-10-31T08:36:26Z<p></p>
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<td colspan='2' style="background-color: white; color:black;">Revisión de 08:36 31 oct 2008</td>
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<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div>La cantiga de amor está muy influida por la ''cançó'' trovadoresca. Por lo tanto, y al contrario de lo que sucedía en las [[Cantigas de amigo]], el poema es puesto en boca de un hombre.</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>La <ins style="color: red; font-weight: bold; text-decoration: none;">'''</ins>cantiga de amor<ins style="color: red; font-weight: bold; text-decoration: none;">''' </ins>está muy influida por la ''cançó'' trovadoresca. Por lo tanto, y al contrario de lo que sucedía en las [[Cantigas de amigo]], el poema es puesto en boca de un hombre.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Casi todas las composiciones tratan el tema de la ''coita'' (tristeza) del poeta, causado por el desdén o el rechazo (''sanha'') de su dama, a la que se denomina en masculino (senhor), siguiendo usos propios de la literatura provenzal. No en vano, ambas poéticas recurren a lo que se ha definido como amor cortés y que Deyermond <del style="color: red; font-weight: bold; text-decoration: none;">(</del>1<del style="color: red; font-weight: bold; text-decoration: none;">) </del>caracteriza con los siguientes rasgos:</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">== Temática ==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Casi todas las composiciones tratan el tema de la ''coita'' (tristeza) del poeta, causado por el desdén o el rechazo (''sanha'') de su dama, a la que se denomina en masculino (<ins style="color: red; font-weight: bold; text-decoration: none;">''</ins>senhor<ins style="color: red; font-weight: bold; text-decoration: none;">''</ins>), siguiendo usos propios de la literatura provenzal. No en vano, ambas poéticas recurren a lo que se ha definido como amor cortés y que Deyermond <ins style="color: red; font-weight: bold; text-decoration: none;">{{ref|</ins>1<ins style="color: red; font-weight: bold; text-decoration: none;">}} </ins>caracteriza con los siguientes rasgos:</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div># Se exige un cierto grado de nobleza, en el hombre y la mujer, en linaje y en conducta. </div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div># Se exige un cierto grado de nobleza, en el hombre y la mujer, en linaje y en conducta. </div></td></tr>
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<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">----</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">== Referencias ==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"># DEYERMOND, Alan. ''Historia de la literatura española. La Edad Media''. Barcelona, Ariel, 1992, pp. 43 y 44.</ins></div></td></tr>
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<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">'''NOTA''':</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">== Véase también ==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"># [[La poesía de Cancionero]]</ins></div></td></tr>
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<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">(1) Alan Deyermond. ''Historia de la literatura española. La Edad Media''. Barcelona, Ariel, 1992, pp. 43 y 44.</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">==Enlaces externos==</ins></div></td></tr>
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<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">'''Enlace externo''':</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[http://bvg.udc.es/indice_paxinas.jsp?id_obra=Cadeam++1&id_edicion=Cadeam++1001&cabecera=%3Ca+href%3D%22ficha_obra.jsp%3Fid%3DCadeam%2B%2B1%26alias%3DTrobadores%22+class%3D%22nombreObraPaxina%22%3ECantigas+de+amor%3C%2Fa%3E&alias=Trobadores&formato=texto Antología de cantigas de amor].</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[http://bvg.udc.es/indice_paxinas.jsp?id_obra=Cadeam++1&id_edicion=Cadeam++1001&cabecera=%3Ca+href%3D%22ficha_obra.jsp%3Fid%3DCadeam%2B%2B1%26alias%3DTrobadores%22+class%3D%22nombreObraPaxina%22%3ECantigas+de+amor%3C%2Fa%3E&alias=Trobadores&formato=texto Antología de cantigas de amor].</div></td></tr>
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<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del style="color: red; font-weight: bold; text-decoration: none;">Volver a [[La poesía de Cancionero]]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Categoría:Lengua y Literatura]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Categoría:Lengua y Literatura]]</div></td></tr>
</table>Laura.2mdchttp://www.wikillerato.org/index.php?title=Cantigas_de_amor&diff=8048&oldid=prevLaura.2mdc en 13:53 6 ago 20082008-08-06T13:53:35Z<p></p>
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<td colspan='2' style="background-color: white; color:black;">Revisión de 13:53 6 ago 2008</td>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Volver a [[La poesía de Cancionero]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Volver a [[La poesía de Cancionero]]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Categoría:Lengua y Literatura]]</ins></div></td></tr>
</table>Laura.2mdchttp://www.wikillerato.org/index.php?title=Cantigas_de_amor&diff=3716&oldid=prevJLG en 20:32 3 feb 20072007-02-03T20:32:19Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>----</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>----</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">'''NOTA''':</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>(1) Alan Deyermond. ''Historia de la literatura española. La Edad Media''. Barcelona, Ariel, 1992, pp. 43 y 44.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>(1) Alan Deyermond. ''Historia de la literatura española. La Edad Media''. Barcelona, Ariel, 1992, pp. 43 y 44.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">'''Enlace externo''':</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[http://bvg.udc.es/indice_paxinas.jsp?id_obra=Cadeam++1&id_edicion=Cadeam++1001&cabecera=%3Ca+href%3D%22ficha_obra.jsp%3Fid%3DCadeam%2B%2B1%26alias%3DTrobadores%22+class%3D%22nombreObraPaxina%22%3ECantigas+de+amor%3C%2Fa%3E&alias=Trobadores&formato=texto Antología de cantigas de amor].</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Volver a [[La poesía de Cancionero]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Volver a [[La poesía de Cancionero]]</div></td></tr>
</table>JLGhttp://www.wikillerato.org/index.php?title=Cantigas_de_amor&diff=3713&oldid=prevJLG en 20:12 3 feb 20072007-02-03T20:12:41Z<p></p>
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<td colspan='2' style="background-color: white; color:black;">Revisión de 20:12 3 feb 2007</td>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Sin embargo, no estamos tampoco frente a meras réplicas de canciones de amor provenzales. Los poetas galaicos, por ejemplo, dan menos importancia al virtuosismo técnico y a la complejidad formal y su contenido es mucho más abstracto que el de sus modelos, lo que conlleva descripciones más exiguas de la dama y una menor sensualidad.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Sin embargo, no estamos tampoco frente a meras réplicas de canciones de amor provenzales. Los poetas galaicos, por ejemplo, dan menos importancia al virtuosismo técnico y a la complejidad formal y su contenido es mucho más abstracto que el de sus modelos, lo que conlleva descripciones más exiguas de la dama y una menor sensualidad.</div></td></tr>
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<tr><td class='diff-marker'>-</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Desde el punto de vista métrico, suele tener la estructura propia de la llamada cantiga de maestría: cuatro estrofas de siete versos octosílabos o decasílabos, sin estribillo y con rima abbaccb, abbacca, ababcca, ababccb. <del style="color: red; font-weight: bold; text-decoration: none;">Tiene una gran importancia en ellas el paralelismo, como </del>también ocurre en las [[Cantigas de amigo]].</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Desde el punto de vista métrico, suele tener la estructura propia de la llamada cantiga de maestría: cuatro estrofas de siete versos octosílabos o decasílabos, sin estribillo y con rima abbaccb, abbacca, ababcca, ababccb. <ins style="color: red; font-weight: bold; text-decoration: none;">Como </ins>también ocurre en las [[Cantigas de amigo]]<ins style="color: red; font-weight: bold; text-decoration: none;">, tiene una gran importancia en ellas el paralelismo</ins>.</div></td></tr>
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</table>JLG